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Exposição realizada na Yale University Art Gallery (New Haven) de 24 de Outubro de 1991 a 5 de janeiro de 1992, Museum of Fine arts (Houston) de 31 de janeiro a 29 de Março de 1992, Indianopolis Museum of Art de 25 de abril a 21 de Junho de 1992, Van Gogh Museum (Amesterdão), Musée Cantonal des Beaux Arts de 21 de Novembro de 1992 a 31 de Janeiro de 1993
One of conceptual arts most influential and challenging practitioners, Bochner turns everyday language and symbolic systems against themselves. The artist was deeply involved with this exhibition of his work from a pivotal seven-year period in his career. In the amply illustrated catalogue, Field reviews Bochners philosophical and artistic development during this period, while the other texts explore noteworthy projects from various perspectives: Bois addresses the Measurement Pieces of 1969, Krauss dissects his Theory of Painting (1970), and Pincus-Witten discusses a 1971 exhibition at the Museum of Modern Art (http://artgallery.yale.edu/pages/info/museumstore/b.htm)